Rufus Scott

Amygdala: An Unskilled Guide

When my attempts on a Soulsborne boss reach the double digits, I like many, scan the wiki articles for what I might need to do differently. For the most part, these are only so helpful, because my level skill limits how I might implement the friendly advice.

In the case of Amygdala, I actually needed to ignore the guidance I first read, because it was making things more difficult than it needed to be. As with most bosses, I found a clumsy, simple, brute force method that works. It won’t work every time, in this case, but it’ll get you there eventually.

Elsa – Greatest Disney BBEG?

Ah, what could have been. Early on production, Elsa called ‘Greta’ and was a cold-hearted villain. I thoroughly enjoy the more heart-felt, nuanced take we ended up with, but I can’t help wondering what darkness we missed out on.

Elsa is still a villain though. She gets good right at the end, but before that she plunges her kingdom into ice, nearly kills her sister and several NPCs and only gets more and more powerful.

If this was the basis of a Table Top Role Playing Game, what we have hear is an adventure with two very different outcomes. Either the heroes convince Elsa to listen to sis and find her compassion… or they have to kill an ice queen.

Spoilers: And yes, I know who the ‘real’ villain is, we’re going to score them at the same time. He’s not worth a separate score sheet, and Elsa makes a much more fascinating BBEG.

Vicar Amelia: An Unskilled Guide

Seen as Bloodborne is such a windy, optional-routes affair, this could be your second boss, or it could be your sixth. It really should be your sixth. The Witch and the Beast unlock so much useful stuff, and the training they give you will make the Vicar a bit more manageable.

Every experience is different, but I would personally say that Amelia is a ‘middling’ difficulty boss. She’s a heavy hitter, but she doesn’t bounce around like Darkbeast and is not as aggressive as Gascoigne. Most importantly, it didn’t require anything too clever for me to beat her. Dumb, brute force was required.

Yzma– Greatest Disney BBEG?

In this highly serious, prestigious and highbrow discussion, it is important maintain a strict standard. There should be no favouritism, no biases or personal prejudices.

The fact that Yzma is a particular favourite of mine should have no bearing of proceedings. We are here to determine her merit as your TTRPGs model for a quality BBEG. Individual preference must be placed to one side in order to maintain the validity of the debate.

As a wise scholar once said: squeak squeak squeakedy squeakley squeaky squeaken.

Darkbeast Paarl – An Unskilled Guide

When you are given advice on a boss in a Souls game, no one ever says how reliable that advice is. You see, some bosses can be definitely and consistently beaten a certain way. Some require a certain method but it is going to take a few goes to get right. And then there are some where the guidance seems solid, but there should be a list of caveats, addendums and warnings attached.

For example, the way I beat Darkbeast Paarl – with my distinct lack of skill – can be replicated. It is however, not necessarily going to be easy to replicate. This boss is a bouncing, trembling, pinballing, camera-shaking, chaos gremlin. The fight can go your way very quickly, but it can just as easily fall apart.

Coco – Greatest Disney BBEG?

In order to figure out which Big Bad is the best for any Roleplaying Game, we must hold them all to the same standard. Otherwise, this very serious discussion lacks credibility.

Having said this, certain villains would be poor for the average fantasy adventure, but excellent for very specific game types or storylines.

The villain of Coco (spoilers incoming) would be a pitiful BBEG in a regular hack and slash. With a game more centred around roleplay, or a game where everyone is a travelling bard, this dastardly individual has some merit.

Witch of Hemwick: An Unskilled Guide

This won’t take long.

Seriously, this boss fight barely needs a guide. This fight is easy. And I don’t mean that in the way that a “git gud scrub” kind of gamer would tell you this fight is easy. It really is straightforward.

Even I could beat this first time every time. And not get hit. Not even once. Or ever actually feel in danger. And if I feel like that, it must be very simple.

Lady Tremaine – Greatest Disney BBEG?

Not every Disney movie has a Big Bad Evil Guy. I recently skipped Bolt (unless you count the pretend villain… or the lawyer) and I went right past Cars (that one car is a bit mean?). Of the movies that do have villains, not all of them are going to make good inspiration for the Big Bad in your Table Top RPG.

Lady Tremaine is not going to win this imagined contest. She might win last place though. She’s not taking on any adventurers with any amount of success. Even in a game where you play the talking mice…

Blood-Starved Beast: An Unskilled Guide

With Father Gascoigne dispatched, you’ve got a few directions you can head in. You can save up and pay your way into the Cathedral Ward, to take on Vicar Amelia, or go further out to the Witch of Hemwick, but Old Yharnam is definitely my first optional area every playthrough. Good for blood stones and helpful unlocks after beating the boss.

The Blood-Starved Beast at the bottom of Old Yharnam is quite the contrast to the big and bulky Cleric Beast and to the focused fighting force of Father Gascoigne. He’s must more erratic, harder to read at first, comes with very different dangers, and above all else is much, much more gooey.

But like CB and FG, BSB can be beaten, without any major skill. I found this to be a messy fight no matter what I tried, but I could control the fight even with my ineptitude. And without realising the trick that makes the first half very easy.

Hopper – Greatest Disney BBEG?

Not every story makes for a great basis of Role-Playing Game. Some stories are surprisingly good. A Bug’s Life might not have as much combat as your average D&D campaign, but not closer: A plucky hero journeys through unknown lands to gain the aid of a bunch of performers to help save a group of farmers from the Big Bad Evil Guy and his army.

As soon as you imagine the circus troop as a bunch of bards – persuading and performing and sleight-of-handing their way around the villains, it suddenly makes a lot of sense. Hopper, the main villain in question, is superbly suited for the BBEG role.