I should be the sort of person that enjoys a lot of lore in my video games. I’m a historian, a history teacher, and a big rpg fan in general. And yet, I’m increasingly aware that the games I enjoy most are the ones where the civilisation, culture and the history of the world is buried. Quite literally buried, in many cases.
I’m very late to the Zelda: Breath of the Wild party. I’m having an absolute blast, not least because of the world aesthetic. The entire premise of a kingdom fallen 100 years ago, exploring it’s ruins, is something I seem to especially enjoy. And this isn’t the first time.
Continue reading “Gaming in Ruins”
The ability to skip sections of a video game has been around for a long time. Think about this mechanical feature for a moment. The creators of a game have poured their sweat and tears (I hope there’s very little blood involved) and spent a considerable amount of time writing and coding, only to give the player an exit. Take cut-scenes for example. Lots of love went into a visual spectacle that drives story and inspires excitement for the gameplay to come. And then the creators add a “press _ to skip” feature.
In one respect, fast travel feels a lot like this. An entire gaming world has been forged for your entertainment, but with built-in a feature that lets you teleport. “We made this to entertain you.” The developers say, “But we put in a button that lets you skip it in case you don’t find it entertaining”. If it can be passed by, why is it in the game?
Continue reading “When do you Fast Travel?”